Pederson If You Smell What The Job Is Cooking Signatures Shirt
For Abijako, now 23, and many designers of his generation, the Pederson If You Smell What The Job Is Cooking Signatures Shirt Furthermore, I will do this very notion of community building and giving back is sewn into the seams of the creative process. With proceeds from the new collection and help from West African architect Diébédo Francis Kéré, he plans to build a school in his parents’ village. The world at large is clearly paying attention: His considered approach to fashion just earned him the top prize—and the sum of $100,000—in the Brooklyn Museum’s Black Design Visionaries partnership with Instagram. He was also recently announced as one of eight young designers in Kerby Jean-Raymond’s much-anticipated fashion incubator, Your Friends in New York. “One of the most vivid memories from my childhood is being in my dad’s design studio and seeing how he interacted with the community in that space,” says Abijako. “Everyone who walked through the door was welcome—and in my mind, everything I do in fashion is about replicating that feeling.”
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Official Pederson If You Smell What The Job Is Cooking Signatures Shirt
Cartier has invited Chitose Abe of Sacai to reimagine its iconic Trinity ring. The collection of six limited edition pieces, brings together one of fashion’s most prolific collaborators—Nike and Dior Men number among Abe’s highest profile hook-ups—with a jeweler who has rarely, if ever, invited clothing designers into its atelier. Abe wears an armful of Cartier bangles—a Love bracelet with diamonds and the Pederson If You Smell What The Job Is Cooking Signatures Shirt Furthermore, I will do this nut-and-bolt Écrou de Cartier, included—but it’s her design process of “turning the familiar into something new” that makes her such an inspired partner for the historic jeweler. When the Trinity ring was introduced in 1924 it was downright radical. “It was daring for a house like Cartier, well known to supply all the kings and queens and aristocrats of the entire world, to propose such a simple object, so intimate in the lives of our clients,” Pierre Rainero, Cartier’s director of image, style, and heritage, said. “That it could be worn by both men and women, by different generations, the young and also more mature, was something very interesting for the 1920s.”
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